Wednesday, December 15, 2010

Inspiration!

Rain, Breathe, Roots all hand-woven with bamboo and veggie dyed soy, 16x18

Winter has come, leaving all of the trees bare and the earth hardened and wet with snow. This is my favorite time of year and I can't help but look around at the inspiration that fills each of my senses. Above is a image from my show back in August; Sustain: Nature Provides. I am posting it simply because today when I looked outside, I thought of how lucky I am to be seeing Nature in its purity and how protective I am to keep it that way. Every part of our past, present, and future stems and depends upon it. Today...give a tree a hug! Maybe you should give someone you love a hug as well so you don't look like a complete looney.

Saturday, December 11, 2010

Nuno Felted Scarves

Nuno felted wool and in-laid bamboo yarn onto cheesecloth
Nuno felted wool onto silk

I know that these pictures need to be re-shot as they are taken on one of my chairs in my studio!! But...I just wanted to get something up to show off the different effects one can achieve with nuno felting. Eventually, I will get images of an actual workshop I instructed up to show the process. Nuno felting is wet felting into an open weave fabric. When you nuno felt, you are the ultimate decision maker in how much or how little wool you wish to felt onto your scarf, or material. I, myself being a minimalist, prefer to use little wool. Another reason why I choose to use fewer amounts of wool is that it allows for more shrinkage, puckering, and gives the natural materials more room to do what they naturally want to do.

When nuno-felting, you basically want to layer wool onto your fabric and then follow your typical wet-felting process to achieve the ultimate shrinkage. The idea is that you wool will felt into the fabric, thus creating the puckered effect. A really good nuno-felted scarf will be visible from the backside of the scarf, where you will notice some wool coming through the fabric.

The two scarves above show a different techniques that I like to incorporate. The top one shows how you can inbed other materials (I used some red bamboo yarn), by layering them in between your layers of wool on the fabric. I layered white wool so that it would not distract from the concentrated blotches of red. For the second scarf, I layered the wool in a criss cross, hatching pattern so than once wet-felted, you will notice shrunken pockets.

Just be warned...this not something for those who want exact outcomes. Wool, when it shrinks, will take on its own life and the outcomes are always slightly different.

These two scarves in particular, are currently for sale at LUX Center for the Arts, in Lincoln for anyone who is looking for a great christmas gift!

Friday, December 3, 2010

Friday Poem!

Thanatopsis
by William Cullen Bryant (1794-1878)

To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, she steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad image
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder and grow sick at heart;--
Go forth, under the open sky, and list
To Nature's teachings, while from all around--
Earth and her waters, and the depths of air--
Comes a still voice--Yet a few days, and thee
The all-beholding sun shall see now more
In all his course; nor yet in the cold ground,
Where thy pale form was laid with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourish'd thee, she claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock,
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world--with kings,
The powerful of the earth--the wise, the good,
Fair forms, and hoary seers of ages past,
All in one might sepulchre. The hills
Rock-ribb'd and ancient as the sun,--the vales
Stretching in pensive quietness between;
The venerable woods; rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, pour'd round all,
Old Ocean's grey and melancholy waste,--
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.--Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon and hears no sound
Save his own dashings--yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep--the dead reign there alone.
So shalt thou rest: and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favourite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glides away, the sons of men,
The youth in life's green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man--
Shall one by one be gather to thy side
By those who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan which moves
To that mysterious realm where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged by his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.

Mission District Murals

Balmy Alley, San Francisco, November 2010

I have always been in love with murals, and the culture that does mural painting the best is the Mexican culture. While I was last in San Francisco, I made sure to set aside a day to explore the Mission District Murals. There is something so powerful about viewing large public works of art that have meaning and value. You see the pain, joy, struggle and triumph of the people who paint the murals. You can't help but feel inspired.

In 1971, local muralists began creating beautiful, expressive paintings anywhere they could find the space, i.e. fences and garages of Balmy & Clarion Alleys. Many of the murals have political themes revolving around Mexican culture and adapting to American life. I should note that murals have been a part of Mexican culture since the early twentieth century. Famous muralist, Diego Rivera, began a mura movement in San Francisco after he completed his first commissioned mural outside of Mexico in 1930. Today there are an estimated 600 murals throughout the city with many located in the Mission Distrcit, home to many of San Francisco's Hispanics.

Friday, November 19, 2010

Friday-Poem

My November Guest
By Robert Frost

My Sorrow, when she's here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

Her pleasure will not let me stay.
She talks and I am fain to list:
She's glad the birds are gone away,
She's glad her simple worsted grey
Is silver now with clinging mist.

The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.

Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise.

Saturday, October 30, 2010

Gifts from the Heart


And here is some of my latest work....smaller scale, lower priced and wearable. This was my first attempt at a batch of felted brooches and I must admit I am pleased with how they turned out. I made these for the upcoming winter exhibition, Gifts from the Heart, at LUX Center for the Arts. This is an invited exhibition that I am pleased to partake in.

I began with some sterling silver discs that I shaped into domes for the base (in order to hold the felted piece). Next I soldered pin backs pieces and shaped the pin to curve around the domed base. Be aware that when soldering onto the dome shapes...place the pin backs at an angle so they connect completely. I found working with silver to be a bittersweet relationship ...both for better and for worse. I found that yes, silver melts fairly
quickly and then there is no coming back. Although the destructive appeal to the melted silver parts makes me want to experiment further. For these I stuck with making pretty, non-melted brooches - I figured these would be appealing to the mass. The silver creates a beautiful frame for the felted centerpiece.

Although the silver is clean, I have only ever worked with copper before this point, and I would really love to see more of it. I just need to find copper bin back pieces. The larger brooch has a copper dome base that looks beautiful against that mixed cranberry color. The copper has a more subtle appeal, which I always enjoy.

Anyways, the felted pieces have a touch of embroidery with small french knots. These are all made with felted wool - which I haven't been working with lately. The thread is bamboo and next I am planning on felting a few with soy. I don't want to to venture out too far away from my plant fiber phase, but I wanted to start out easy - with a fiber I knew I would have no troubles with.

These can be found for sale at the upcoming Gifts from the Heart wintershow at LUX Center for the Arts or on my etsy shop. Be on the lookout for my other artwork for this show as well as some earrings that are underwary!

Wednesday, October 27, 2010

It's a bird...it's a plane...it's...sidewalk chalk? Really?


Sidewalk chalk art from the Art of Rock Festival - artist unknown

So over the summer there was a great outdoors music festival promoting a local youth music school - Academy of Rock - Along with it, came 50 artists who each spent the afternoon creating a masterpiece on the sidewalk with regular, washable, sidewalk chalk. Amongst many who were lost with the chalk in their hands (myself included), there were a few who quietly stole the show. This piece simply captured me. Not only is it film noir-esque, not only is it something straight out of Superman, not only is the costuming impeccable, but it is utterly remarkable! I was half expecting/hoping to have Phillip Marlowe walk up beside me, smoking a cigarette, and ask me if I needed any help...well Humphrey Bogart as Phillip Marlowe to be exact. I wanted to share this with everyone so you can all enjoy this work of art that lasted for exactly 48 hours, before the power washes came to destroy all evidence of this public art.

Something Worth Fighting For


Resources, 20x6, Hand-woven; dyed; felted bamboo & soy, 2010

This is another piece from my Sustain exhibition that depicts Nature's resources...not so subtly either. Conservation remains to be the theme behind my work for now. I have been so interested in taking something that is depicted as beautiful and fragile, then transforming it into something that appears captured and uncomfortable. This concept of us trapping and suffocating Nature as en entity, has relayed itself into most of my recent works. I like the use of different techniques here to achieve my message including knitting, felting and double weave. Now it is time for move on from this concept...maybe delve into something more subtle.

Wednesday, September 29, 2010

In need of a hero

Comic book illustration by Sam Hart from Graphic Novel:
Outlaw: The Legend of Robin Hood

I often wonder where fables and myths come from...and more importantly...why? Each story has an underlying meaning and implication. More often not it is explained away as the "moral of the story", but I think we create these mythical characters as a way of maintaining civilization, hope, and dreams. As a way to maintain some nerdiness....and have an excuse to read more graphic novels...I thought I should build a body of work representing these ideas. Robin Hood was always my favorite....so this is where I am beginning...

Bamboo + Soy


Roots, 18x15, Hand-Woven Bamboo & Knitted Soy, 2010

This piece touches on one of the resources that Nature Provides us - Roots. Food is grown from plants beginning as roots, the air we breathe comes from the roots of trees that grow, and our lives stem from our cultural or family roots.

Wednesday, August 4, 2010

Sustain: Solo Exhibition using all Sustainable Fibers

Sustain:
Nature Provides

August 6-31, 2010
Opening Reception: Friday August 6th, 5-8pm





Just wrapped up my year long Artist-In-Residence at LUX Center for the Arts this past month. Yesterday was the day we installed my solo exhibition!


This show is my note on conservation and how we need Nature to maintain our lives as human beings.

I focused on using sustainable materials; all bamboo and soy! It was a learning experience to say the least. I found many pros and cons of using both of these materials.

Bamboo: Very strong and holds great tension on loom. Very soft and finished pieces are durable while still having a wonderful drape to them. Bamboo DOES NOT dye well...at least with using natural dyes. I tried with cutch & black walnut hulls, then gave up! Maybe I will experiment some more with various mordants. I only like to use alum for safety reasons.

Soy: Beautiful fiber that dyes fairly well and maintains a lustrous, iridescent quality to it. Soy if the softest fiber I have ever worked with and look forward to playing with it more. It felts wonderfully as well, although its strength it not as high as other organic materials.